Beautiful Loser
July 2006
www.nextbook.org
July 2006
www.nextbook.org
With a new documentary and a book of poems, Leonard Cohen is primed for a comeback. For Suzanne Snider, he never went away.
[photo by Alan Wilson]
[photo by Alan Wilson]
est, Werner Erhard, and the Corporatization of Selp-Help
May 2003
May 2003
It Makes Us Yearn for the Days When We Were All Assholes
Bob Moore: A man with a mill and a mission
April 2011
Washington Post
April 2011
Washington Post
On each Red Mill bag, Moore serves as folksy ambassador, wearing a derby cap, glasses and a bolo. In real life, he adds a red jacket. If Whole Foods sells a latte-fueled dream of healthy ’90s decadence, Bob’s Red Mill peddles a more populist fantasy of prairie days, a manufactured nostalgia.
Cheever Country
November 2006
Nextbook
November 2006
Nextbook
Why do Alex Katz's elegant canvases strike critics as the ultimate in WASP art?
White on Noir Suzanne Snider interviews Eve Sussman
February 1, 2012
Guernica
February 1, 2012
Guernica
The artist Eve Sussman dissects infrastructure as beauty, Soviet-era aesthetics, Occupy Wall Street, Williamsburg lofts, and her latest film that uses an algorithm to distinguish each screening. With a sample selection.
The Hug Machine
2004
Anathema Magazine
2004
Anathema Magazine
Temple Grandin, the Weighted Vest, and the Search for Compression